The Covert Sound Philosophy. It is Covert: It is not readily available to view. But, once it is viewed, then the Philosophy becomes obviously Sound. It is a Covert Sound Philosophy. It is a covert philosophy It is a sound philosophy It is a philosophy that arrives in sound, that is music, underneath what is […]Read More The Badlands (single 2017)
I seem to have found a significance for Anslem’s proof. It may be that it is not significance for whether God might exist, but, as I have said, significance for how I present ideas. We will start with the rendition from Princeton’s site. I think they have a pretty good rendition there. Without all the strict logical […]Read More Anslem’s Argument for the Proof of the Existence of God, the Disruption of Time, and the Categorization of Philosophical Behavior.
Reply to Terrence Blake’s recent post over at Agent Swarm: As usual Terrence you pegged it. It’s strange how I view it and actually I can totally agree with you and yet somehow there’s something that I’m not agreeing with and really that has to do with my work, The strange situation that I find […]Read More …and sowing the seeds: Reply to Blake with draft excerpts from “The Second Moment”.
The Question of Derrida’s Heidegger is ironically (as they even say) the question itself, which should not be generalized into a ‘common human sort of being’; that question is a response within the consistency that Derrida exposes as failing (decadence). Rather; the question voiced to its particularity that has been obscured (darkened) by the ‘common’ […]Read More The Question: Of Darkness.
If we think there was a post-modern era, and now we are in a another era, think again. While I have my difficulties with Bryant, he at least appears to engage with ideas and text in a manner that defies ‘temporal eras’. So again we have a further evidence of the need for a bifurcation, […]Read More Time is Longer That We Think..
I guess this is the closest type of embed I can find. While it seems somewhat contrary to have all my theoretical/critical posts and essays and then post these songs, such as the one below, the point will be similar to how Harman talks about Lovecraft, or Miellassoux uses Mallarme, or Hiedegger brings in Holderlin. […]Read More Love’s Kitchen and the Parallax View.
(Da Sein and the Phenomenon, part 2) If we pay attention, then we may notice that we have been deceived. But most do not notice. The distinction, then, is made between these two ‘awarenesses’, these two ‘knowledges’. So we have really three distinctions, three ‘modes’ evidenced in philosophical authorship. One; of the deception. Denial that there […]Read More The Fallacy of Realism.