The Impossible; Part 5. Existence and the Story of Death to Life.

Whew! Those Impossible essays really get thick. So perhaps a rejoining to a more approachable speaking. But hold on! The ride is just getting fun.

I have been interacting through comments and replies with Dave, who writes the blog called “Big Story Guide”. Our conversation is quite wonderful, so, just as I used our conversation for the basis an earlier essay post ( See: Aphilosophy, Convention, Faith and God), I do the same here, and because this latest reply grew to such lengths (even though I think I have posted replies even longer than this one).

The reader can see our extended conversation under the comments of “Issues and Existence”. And please feel free to visit Dave’s blog “Big Story Guide”: http://bigstoryguide.wordpress.com/2-the-death-to-life-project/

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We last saw our heros continuing enquiry into each other’s ideas. Dave is curious for a rendition of Lance’s ‘Big Story’, and Lance has been attempting to discover from Dave the significance for the Christian and the non-Christian in the claim of Christ Jesus. Dave (in italics)…

Your notion of “the qualitative motion of history” suggests a bigger story than The Bible tells – a story within which The Bible should be interpreted. So, when you say, “Teaching, method, apprehending or comprehending terms through a particular scheme, is the issue at the heart of the Gospels,” it seems as if you are sort of taking an aerial view of a mansion of reality/truth. You can see Christians entering through one door (scheme) on one side of the mansion while you see Hindus and others entering by other doors (schemes) on other sides of the building
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The quality of history reflects an essential motion, where as history itself changes with the times. I think the Bible presents a certain correspondence with these ideas, one ironic, one conventional.

“If that is the case, what is the more faithful rendition of our story, told from that larger view?”

You have captured one of the more insightful philosophical rebuttals to some of the existentialist authors here, one that contributed, I feel, to the discarding post-modernist critiques to a particular era, and the movement beyond it. The larger view is entirely existential, that we are humans doing human things, that has no more meaning than the meaning we have of it at the time, that there is no knowing a true history, that anything anyone can say has to do only with present discursive situations. The question would be then, how could they know of this? The rebuttal is something like the accusation that the so-called existentialist (but Laruelle with his non-philosophy likewise) authors set themselves as a sort of ‘omniscient’ or ‘removed’ viewer, as if their view is not likewise conditioned by the existential situation.

But I would say that the ‘death to life’ story, as you describe it of the Bible, is no larger than what the above situation grants. To wit: How would it be possible to step out of existence so as to gain such a view? The answer is excruciatingly ironic, for the one who is ‘stepping out’ is the one who says it cannot be done.

One way to speak about it is to say there is no stepping out of existence, that there is no larger story but the story that is reflected in itself by itself, and that this reflection is based in an apparent separation.

Take for example a story book, a novel. Can the characters step out of the story in order to see the story? No, they cannot. They are determined in and by the story to be the story as it goes. It is only the reader who steps out of the story, but he does this by an interesting move. This is the historical significance of the development of the novel-type writing. The reader starts at the beginning and reads to the end. He thereby can summarize the story, talk about its characters, its plot, the development of tension, climax and such; but this telling is not the story, it is a story of a story. The real state of the reader is removed from the story but in such a way that he views the summary and discussion of the story as referring to the story itself. But his telling is not the story; it is not even a summary. It is the story of the story. This real reader misses the story by staying removed from the story, and it is this assumptive state of removal, of distance enacted by the author as well as the reader in reality, that allows the story of the story to be not the story but its summary. This state of being human corresponds with the state of reality, that which marks a quality of history to the reading of history.

Thus another way to speak about it would be to see that to live ‘in the worldly’ way is to live by separation, and with reference to your ‘Death to Life Story’, is the way ‘of death’, not dissimilar to your Big Story.

Would you say that Abraham, being after the Fall, was likewise ‘living death’? I would say no. I would say the he ‘lives’, but did not need Jesus and so was not ‘restored’ to life, but merely ‘lived in God’ but after the Fall. How did he get that way?

The same with Noah before him; …he “was a just man, perfect in his generations, Noah walked with God”. How was this so if all men live in a state of death after Adam? How did Noah “[find] grace in the eyes of The Lord”?

Further, the only thing it says of how Abraham got to know God is “Now the Lord said unto Abraham…”

And what of Moses? Did he do anything to bring God to him or chose to meet God? No. God chose him. And I would add that this is the most offensive aspect of the Bible to the reader of its stories: It could have only happened in the past since if God chose someone today, in the same way as Abraham, Noah, Moses or Jesus, it means that God has not chosen me; but where there is irony, this statement, the meaning of Moses, etc, ‘being chosen’, has no contradictory baring upon my relation with God.

I think that, as a result of your bigger-than-The-Bible-Big-Story, your interaction with the biblical figures Abraham and Jesus becomes pretty highly conceptualized. For example, Abraham experiences “a true ‘before the fall’ covenant, so to speak, with God.”

Are these three people human beings? I would say yes, they are actual human beings who ‘knew’ God. And, in that they did nothing to achieve such a relation with God, that is to say, they did not beckon favor with God, they also did not choose anything about God, at least, not any more than someone else could have; God exactly chose them. In fact, I would say, because they are ‘after the fall’ people, they could not have chosen God; nothing they could do could remove or get beyond their ‘fallen’ condition; only an act of God could do so. In fact, choosing God could only get them as far as their own ‘sinful’ condition was able, which is ‘removed from God’, offended in this state.

This is clearly anachronistic within The Bible’s story, so it would be tremendously helpful to know the bigger big story within which this Abraham event took place. Please, tell me about “the real mistake that began as the Fall.”

Sin can be seen as “the real mistake that began as the Fall.” The mistake of taking an object before God. If this is a signal of human heritage, passed down as a condition or state of being human, then as we are in sin, at some point in the past it would seem there was an original sinner.

In a way, in the story, the ‘fruit’ or ‘apple’ represents the ‘idol’ that comes to stand between Adam and God; it is the worldly object that is seen to be able to make Adam and Eve like God, knowing good and evil: ethics/universe of objects the control of which make humans ‘like God’. The mistake that unfolds in history is the progressive domination of such object, the ‘death’ that ultimately pushes God entirely out of human knowledge and experience. When such ‘worldly saturation’ occurs, then Christ returns to restore life, that is, God.

If this post-fall state is inherited by all humans, then as this is indicated by choice or free will, our state determines thus our ability to know God. This ability, founded in the ‘first significant choice’ – since if there was choice before the Fall then its significance was consistent with God’s will, where ‘everything’ would be significant, thus allowing nothing significant to be punctuated as such – thus likewise conveys the beginning of ethics, since that which is consistent with God’s will has no weight against what could be evil since such a motion in that ‘pre-fall’ state is God’s state and not so much a human state. The post Fall state of humanity, wherein choice upon good and evil resides or is established, is the entirely of what we can know, our knowing being limited by the sinful condition of knowing with choice, can be called the universe, because it consists of or is correspondent with what all humans can possibly know. So it is that Kierkegaard, in “Fear and Trembling” (I believe its this book) begins with “the universe is the ethical”.

It’s worth mentioning again that I think the question, “Is there a teleological suspension of the ethical” is an interesting one raised by the Abraham-Isaac story. But, I don’t think it is at the heart of the story. Instead, the issue of humanity’s death and the possibility of resurrection is at the heart of the story.

The question “Is there a teleological suspension of the ethical?” is Kierkegaard’s primary concern, as I have said, through all his works. This question means: Is there a way of knowing or otherwise communing with God-as-God, meaning, without the ethical doubt that injects one’s humanity in the way of God’s communication with him? In other words: is there a possibility of a God-man?

One of the things I feel like I’m missing in our conversation is how you might see the teleological suspension of the ethical being necessary to some kind of resurrection.

Resurrection, with regards to the ‘death to life story’ of the Bible, is a teleological suspension of the ethical, a breach of universal ‘right-ness’, an actual communion with God ‘as Life’, as opposed to ‘death’. Such communion or communication would not have a possibility of ‘wrong-ness’ since God is above or beyond ethics: God is God, creator of the universe, creator of choice, indetermined by choice. God is righteousness as opposed to nothing else. Hence Kierkegaard considers Abraham and Jesus.

Your questions regarding Jesus’ experiences with faith strike me as also being an interesting aside. I would find them much more compelling if I believed that Jesus represents a God-in-man issue. But, I believe that Jesus is the God-man who came to address the death of humanity through His death and resurrection.

God can only be ‘in man’ as much as man sees God as distanced, or removed, from man; but the movement is that man made that choice to remove himself from God. Hence the significant questions concerning the state of humanity is: What about you is not God? What is resurrection?

This is essential.. This is essential.

[Jesus’s] experiences with the teachability, and learnability of faith, and His personal experiences with doubt strike me as being pretty speculative (but still interesting) and less essential.

I would think these represent his humanity, and, ironically, they are entirely speculative and less essential – and it is interesting how K speaks about ‘the interesting’ as a quality of various worldly topics.

*

The contradiction between the God-man and the God-in-man presents the impossible situation of reality: Would you know if Jesus Christ, the Son of God, was standing right in front of you? How would you know? Would everyone know? How do you know?

Reality imposes its maxim, framed or determined by the impossible: You are not God, and, no one can have a personal audience or communion with God as God. A man, though, may have God ‘in him’, and hope to be communicating directly with God, because this is the condition of man after the Fall: He needs a redeemer, a proxy, a go-between. Faith allows for a traversing of the distance that has been created by the sin of not choosing God, or maybe better put, the sin of being able to choose God now that there is a sufficient distinction by which to make a decision. This is the post-Fall universal condition of humanity. Only those of the past can be such God-chosen people, for if I told you that God indeed has spoken to me, has chosen me, in the same way as Abraham and Moses, you would call B.S. or think I’m insane. Because reality has it that we are all equal, all of the same capacity and existential presence in the world, then if this is the case, that I commune and communicate with God as God, it means that God has chosen me and not you. This is offense. This is the evidence of sin. This is impossible.

Kierkegaard thus considers the possibility of Christ. Is it possible that God sent his Son to be here on earth, a human? If this is possible, what does it mean for humanity? Does this meaning exceptionalize meaning to certain qualifiers, such that there are ‘humans’ and then there are ‘human but also something else’? How does the exception also place me in a certain position with reference to God? Does this meaning, the exception, include all humans, regardless of how they are qualified? What does this mean? Where do I exceptionalize myself as human, but not ‘that’ human? What is God? Who is God? Where am I offended? Where do I sin? What stories do I tell myself to qualify myself in the world? What are these stories? What is blasphemy?

Can I know God as God? Is there a teleological suspension of the ethical?

For reality, the answer to these questions being the same, is impossible!
But only through faith.

O.M.G.

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Post-post-modern-modernism: The Mistake of Irony; Or, The Ironic Mistake.

Perhaps a little bitty on postmodernism and the, what could be labeled of our current situation, post-post-modern-modernism.

Here are a couple links that roughly define the conventional problem I will address in this essay. The first is a little less ridiculous than than the second. The first offers us an argument for why postmodernism is not dead, but is rather the condition upon which people find a new agency. David Foster Wallace is talking from so far down the conventional hole – at least, that he was at some point- his polemic reveals how deep his confusion is or was, as the case may be ( no disrespect intended).

http://partialobjects.com/2011/08/what-comes-after-postmodernism/

This is not to say that there was not this postmodern thing-era that these authors are talking about; it is also very interesting, and possibly ironic, that postmodernism has been seen as first represented in architecture (so says the first link). Nevertheless, the era was the conventional reaction to a large misunderstanding that continues.

It is not difficult to find a link between Constructive Undoing and postmodernism, especially with the irony/convention duality that has arisen here. So, in light of this parallel, and that irony is too often defined to postmodernism through deconstruction, sarcasm, posed apathy, withdrawal, multivocality and the like, as well that irony does not stem from any sort of reaction (though pm may) as it merely takes the proposed new as old hat, as already given before it became new, one has to hit it straight on, as a tangent, one might say. As the post of the link says, with “arms folded tight” one continues to lift; irony works, despite the conventional reaction.

We should look into this reaction. To do this, we will use the framework of the definition of irony, taken from Dictionary.com ( as of spetember, 2013) since the typical conventional misunderstanding involved with the coupling of irony and postmodernism is at play; the reaction allows postmodernism to be placed outside of its ironic bearings.

[Note: This essay is a shortened version.]

Irony:

1.)the use of words to convey a meaning that is the opposite of its literal meaning: the irony of her reply, “How nice!” when I said I had to work all weekend.

Literature.
A.) a technique of indicating, as through character or plot development, an intention or attitude opposite to that which is actually or ostensibly stated.
(especially in contemporary writing)

B.) a manner of organizing a work so as to give full expression to contradictory or complementary impulses, attitudes, etc., especially as a means of indicating detachment from a subject, theme, or emotion.

3.)Socratic irony. (which is defined as feigned ignorance.)

4.) dramatic irony.

5.) an outcome of events contrary to what was, or might have been, expected.

6.) the incongruity of this.

7.) an objectively sardonic style of speech or writing.

8.) an objectively or humorously sardonic utterance, disposition, quality, etc.

Generally, all the definitions reiterate the fifth definition; basically, the opposite of what is expected expressed in the various arenas. (A) and (B) are literary devices of turning plot or meaning. (3) is an idiomatic expression of the complete misunderstanding of Socrates, a one-sided view. (4) is little more than (3); (5) restates all the definitions. (6),(7) and (8) are the key definitions, the ones that have been elicited from the most offense of irony, in the postmodern sense.

The really interesting thing about irony is the absolute comedy of its seriousness; in all seriousness, this is the most offensive aspect of irony, and is the reason postmodernism has become a kind of stigma in philosophy, a kind of joke for modern thought so much that it had to ‘die’. Where do I laugh? Where do I nod? How can I tell if what is being said is really meant for what it says? The irony never ends, and everyone wants ends. Most every one wants to be told the punch line – but not overtly; everyone wants to be in on the joke. But the joke and the deep meaning are one in the same; if you have to guess or wonder, then you get embarrassed: you are offended.

Though I can’t be sure about the intent of definition number 6, I assume it refers to definition number 5. In fact, unless it is a type-o, the definition is probably intended to mean irony as the incongruity of what is expected and what actually occurs, in distinction to def. 5 where irony is the “outcome”. If I say I am a liar, and then I lie, the irony could be not very ironic or be very ironic depending on what has been signaled, but the incongruity of this is that one would have to guess, that is, unless the liar while telling the truth were indeed poetic as he lay, for then he would indeed be lying. But what if he were telling the truth?? As it is, the definition number 6, as a definition for irony, is quite ironic, because none of the other definitions reference the other definitions, but we are expected to see that number 6 does. It is a simple pleasure then to think that the authors of this definition included just this presentation (of 6) as a particular definition of irony because probably the best definition of irony is the incongruity of this, as it is not only a definition, but also an example. And just as such a simple pleasure could be a proclivity of some people, this paragraph itself will find many quite fed up and see no humor or pleasure in this exposition; they find it corny or even lacking in a certain finesse or refinement, or perhaps they find it too subtle. Yet it is just this kind of insensitivity or intolerance that seeks ends, that, if not indicated to the punch, will develop a position highly distanced from it, the ironic move so lowly and indistinctive as it is patronized.

Such a humor is of the most inside that one can fathom, so it is no wonder that most cannot help but develop a resentment concerning its irony. To them, they are being made the butt of a joke; like some sort of transcendent wit they miss, they maintain their seriousness as they pull the heavenly act down to their mundane decisions and proclaim and accuse and dismiss. It is not a wonder postmodernism has a bad rap; the dense can hardly hold a tune, let alone wish to appreciate the finest symphony in the world without the liner notes. Grinding their teeth together they talk lightheartedly and then seriously about this and that fashion, all the while truly being the object of ridicule that was never intended for them except that they made it such. “We are not laughing at them, we are just laughing,” and they have much more serious things by which to set their recreation.

(7) and (8). The definition of ‘sardonic’: characterized by bitter or scornful derision; mocking; cynical; sneering: a sardonic grin. In other words, the distasteful, ‘dark side’ of irony: “objectively sardonic”. The attitude behind this irony is an anxious individual, almost despairing of the world. The irony is a type of ‘sick’ humor; his denial is palatable. This one has come close to his theoretical, indeed actual, demise and spits out his fate upon everyone and the world (the objects) because it is the world. Ironically, the world has let him to know, and he doesn’t like it; he doesn’t like being dominated but he has found his distance from it in one of two ways: a) The world is shitty. The world of history is not the place of his childhood dreams; it has brought everything opposite childish happiness had more than hoped for. He wants to be free, but his conscience tells him its all a sham, and this is known to him due to the world’s history coming upon him. The oppressive world. b) His attitude is justified in righteousness. The offense of the shitty world is countered by the nobility of human presence: the world is great, it is working in his behalf. This nobility is held in countenance for the world, but soon the world rejects it, it counters every move. A suitable image must be maintained; the oppressive individual. In both, the object is prominent; in (a), it is the object proper to convention, in (b), the individual, the subject-object, the subject of convention. Whether it is in reference to some ‘childhood dream’ or the ‘grown-up’ approach to reality before him or her, the motion is that the nobility rejects the rejection and the world crumbles; it deconstructs because the individual is no longer complicit with the world, but again, offended by it. The individual perpetually lives in a fear of his own making, cast upon the world that is surely going bad from the activities of himself – if only he could just leave, or, can he save it in time!

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The reaction here is ironic; the ironic-sardonic postmodernist and the individual that sets postmodernism to a proper era are both implicitly involved in the conventional reaction. Consciousness, by its very nature, is a retreat from the world; perhaps more precisely, the world is consciousness’s retreat from existence. The individual who is being ironic by realizing that the world of the great (at least, modernist in the last, but conventional in its beginning) human history has brought itself to destruction, is reacting not to the world, but to her inability to reconcile it to her knowledge; her knowledge does not ‘reach’ the object. The reaction is completely of alienation, which is to say, the individual is not alienated due to some historical social motion where she is offended at the state of the world and so withdraws from it, but rather the individual is alienated from herself due to her rather un-ironic belief (faith) in the oppressing thing of the world, that is, that there is this world, which is reality, the conventional world of the true object. This is not so much that the world brought itself to its own destruction, but that the world did not destruct, and this is to say that the world did not find solution, but that the world is insolvent. The result of the world finding a new way due to the old way not working, or bringing itself upon destruction, is not finding a solution in this new way, the result is that the new way is exactly the same as the old way, that the two ‘ways’ could not but have caused and resulted from each other necessarily, that the causes will be found conventionally. The reaction is thus not of the world but of the meaning that the individual has derived from it, which contradicts that the human was ever part of the world in the first place. Then the reaction becomes dismissive, yielding the ‘that’s just life’ tail. Asserting the priority of beliefs and their function for finding ‘the good’, the reaction wields the power of resentment in hopes of stifling and ending all dissension.

The belief itself, the act or motion the term ‘belief’ signifies of faith, is what creates or allows for the alienated individual; the condition of the human being in reality is the separated individual. This separation, basic to the individual, is what constitutes freedom, the great future of progress, as well as its complimentary spiritual form of union (yoga) and ‘return’ (Christ, messiah, or ‘anointed one’; the motion as ‘to anoint’ connotes a uniting of separate substances, yet where one significant or uncommon element is rubbed on a regular or common element, and in this moment the two are transformed; the blessed oil becomes merely oil, the common, significant. The misused idea of ‘karma’, so prevalent in the West, falls in here also.) Nevertheless, it is recognition or realization, a coming into knowledge, that develops ‘alienation’ as a lived experience. But the inherent and unavoidable condition of human consciousness is separation.

Anxiety and despair over such a realization is usually understood to be relieved by two moves, though there are really three; the first two are conventional. The first is denial, where the realization is avoided. This reaction replaces the old with the new as part and parcel of willed, reasoned progress. The initial problem here is replaced with the solution that is human agency, the negotiation of parties, be it spiritual negotiation or mundane. The second is insanity. Both of these reactions are complicit in the resolution to the problem, since there is no true overcoming of the discrepancy; faith in reality accomplishes this feat through denial; hence, denial and insanity are the only real options. I emphasize real options, in the sense that I have already been developing conventional faith; anything else is absurd, insane. Thus the third option is the non-conventional, the ‘not-real’ option (Francois Laruelle might call this the Real option); the reconciliation that can come only does so with existence, through the experience of irony: denial and acceptance become not mutually exclusive.

The human being in existence cannot but help behaving in the only way it can: ultimately determined in every activity. But this activity, this existence, is also human consciousness; it can only behave the way it does. This is to say on one hand that consciousness does not behave or operate in any way separate from the behavior of existence, but also on the other that its operation is to have a world that is sufficiently separate from itself by which it can then perform its functions, and these are exactly formed and allowed for through the partition we call free will, that is, choice. Human consciousness must have a true object, it cannot function without it, but in order for there to be a true object there must be a correspondant of at least equal stature, and this is the individual thoughtful human being. The evident aspect of consciousness is thought, and is itself a mode or motion of the existing universe. Thought thereby retains an effectively universal operational structure as part of its nature, which is to say, the processes and features of knowing resonate the very motion of the universe as course, which is unity. Yet unity, unfortunately for the individual, can only exist by separation; only in the condition of separation can a notion of unity have meaning. Separation and unity have a significance for the meaning making existent human being; the tension or motion thereof, which is vacillation, is not allowed in the progressive reality: reality relies upon the equanimity of subject and object as real things, absolutely true objects, and its privileging of either dependent upon the circumstance at hand as the circumstance is foundational in indicating progress.

Stepping back from this, we can say nevertheless, once the equilibrium, or symmetry, of the statures of true object and thinking subject are upset, existence effectively takes over its proper imperative, that is, the sanctity of the true object begins to fail for knowledge, and knowledge likewise is compromised of its ability to ‘hold off’ the encroachment of the operation of thought upon itself: consciousness then must uphold its existential operation, as its foundation is the differend between thought and object, and the reduction of the knowledge of the object to the object of knowledge eventually brings thought into a consideration of itself, as an object of itself. Only in the balance that holds the (inner) subject and (outer) object at sufficient distance in consciousness can one say that the objective dominates; psychology is the conventional method that attempts to keep the distance of thought and object, to maintain the balance. Once this symmetry is lost, however, the motion never falls toward the object, the motion is always toward the knowing subject, falling in upon the subject of knowledge until consciousness almost comes upon itself and faith is reestablished; this can be called, what is typically known as a ‘psychological breakthrough’ or a ‘spiritual experience’. Where it indeed truly comes upon itself, we call this insanity or death. Where the individual is incapable of functioning constructively in the group of humanity, conventional reality is upheld by the group through a faith that functions to keep the balance and maintain the symmetry of the subject and object in knowledge, as an objective aspect, and thought, as a subjective aspect, which is to say, in knowledge that such an individual is insane defined as a true object for the purpose of establishing the standard for the individual: the subject (subject-object), and in thought for the purpose of establishing the objective standard of reality: the object.

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The usual reading of postmodern exposition is contained thus far; not for a reiteration of it, but to a step from it. Though more than a few authors either contributed to the development of postmodernism, or step from it, to offer their version, I address two authors here: Jean-Paul Sartre and Francois Laruelle. Through a particularly conventional lens, each offers a stating of the point of contention, a reiteration, as well as a reconciliation of the ironic problem, while saying, really, ironically, the same thing. The punch line: the discrepancy (the individual is established in separation) is solved through an assertion of essential freedom. Again, this is to say that both proposals arise through a denial of existence and an assertion of the true object. This, in effect, is the definition of what Sarte terms “bad faith”, as I have argued of Laruelle in the Direct Tangents of Constructive Undoing.

Sartre’s points are foundational. The reduction of thought to an object of itself opens meaning to an ‘abyss’ of freedom, where meaning comes to its own essential lack. To (here now) reiterate the foregoing, the essence of meaning (if we can say there is such a thing) is seen to be vacant, void, nil, as Slavoj Zizek has said of the subject. This knowledge of contradiction, meaning that is no meaning, causes the individual angst, or Kierkegaardian ‘despair’; in my terms, the individual understands that the reality through which he or she was moving, that has been established and motivated through basic, what was before thought, true tenants of reality, true objects, is found to be not true. Sartre’s move then is to ‘revolt’ from this ‘nothingness’, since the individual supposedly sees now that meaning is arbitrary, and thereby find true freedom because the individual sees that he is no longer constrained by any essential, determined, or otherwise actual truth of any matter whatsoever.

Laruelle, if we are able to set aside the conventional-temporal object for one moment, where Laruelle builds his non-philosophy due to Sartre’s and others’ ideas before him, we may find his address through what I shall use as his basic idea. While all of his terms interact and compound upon one another to indicate the same thing, which is the point of contention, his ‘unilateral duality’ works to indicate the last conventional object. The ‘future Christ’ he terms as a culmination or basic differential which allows or accounts for the total meaning of, what I call, the scheme of meaning that is conventional reality, the meaningful organization of true objects. By summoning total meanings of significant oppositional objects, his critique of philosophy proper reduces its operational terms to explain conventional reality; he limits conventional reality to the arena of ‘philosophy’ for strategic reasons, and calls the consequence or result of this reduction the ‘Real’. Using the idea of future Christ, his reconciliation poses some sort of radical agency – mind you, ‘agency’ has been likewise re-situated in non-agency – that, one is to gather, comes about through a proper understanding of reality. The reason he can appear, as we say, ‘in the last’, is the real and the Real remain for him ‘lateral’ or maybe better, parallel but are situated more properly upon a parallax. The freedom of Sartre is similarly re-situated with the ‘radical’ form of knowing and proposes some more evolved state of humanity.

Again, keep in mind that I am presenting a typically conventional reading of these authors, that the fact of their presentations are routinely and faithfully, in Laruelle’s terms, ‘made into another philosophical object’, a representation of the point of contention. The problem is at all times conventionally upheld for reality, Real or free. The problem is not the presentation that these authors enact, but the re-presentation: the overcoming of the true object is impossible for conventional reality.

Hence, perhaps a better rendition of the matter at hand can be better situated to address the impossible. To put it directly into conventional grasp, we might then see that to confront the impossible is a matter of insanity.

*

Yet before we venture into the impossible, I would like to offer a small quote from Thomas Nagel, and his effort from the possible, of staying in the possible:

“However, I do not find theism any more credible than materialism as a comprehensive world view. My interest is in the territory between them. I believe that these two radically opposed conceptions of ultimate intelligibility cannot exhaust the possibilities. All explanations come to an end somewhere. Both theism and materialism say that at the ultimate level, there is one form of understanding. But would an alternative secular conception be possible that acknowledged mind and all that it implies, not as the expression of divine intention but as a fundamental principle of nature along with physical law?”
~ ‘Antireductionism and the Natural Order’, in Mind and Cosmos, p.22.

One should see that Nagel’s situation is nothing larger than what Soren Kierkegaard offered 160 years ago: Is there a teleological suspension of the ethical? For the question Nagel asks here is nothing greater than conventional, though he might be trying to indicate something more (we shall see). Nagel is asking if there is a way to bring the remnants or basics of the bifurcated real meaning wherein we have idealist subjectivism and religious transcendence/immanence versus materialist objectivism, into a scheme of meaning that does not indicate upon such distinction, which is to say, does not reify the insolvency. The answer is: conventionally, no. All human reality depends upon the duality of meaningful categories; the real is the universal is the ethical. The answer ironically is: yes.